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Posts Tagged ‘pro-choice rhetoric’

The Essence of “Pro-Choice” Rhetoric: Misdirection (Part 2)

Masked male students at UNC drew attention away from images of aborted children with their banner and drums.

Masked male students at UNC try to distract and misdirect people from images of aborted children with banner, drums, and absurd ad hominems.

“Pro-choice” NCSU students tried to block the view of GAP until campus police stopped them.

by Mick Hunt

In Part 1, I wrote about how abortion clinic escorts use misdirection and distraction, which are among the tools of stage illusionists as a way of controlling the audience’s attention.  These same tools are also at the heart of “pro-choice” rhetoric.

Ad-hominem attacks against pro-lifers are obvious, and a trained debater won’t be sidetracked by them, but virtually every women-centered question or statement is also misdirection.  The real issue is not whether we should care about women.  Everyone knows we should.  The real issue is about caring for pre-natal children.

My answer to many questions is, “We should treat pre-natal children the same as we should treat born children.”  Or, “Whatever problem you pose with a pregnancy and a pre-natal child, we should find a solution that is, in principle, no different than if the child were born.”

To a large extent, even the scientific debate over when human life begins is misdirection and distraction.  My philosopher-carpenter friend, John S., wrote recently in a letter to a state official, “Questions like ‘when does life begin’ or ‘what is a person’ are exercises in playing dumb.  We know when life begins—it begins at conception (fertilization).  We know what a person is—it’s a human being.”

The answer then is not so much in talking about abortion, but in acting as if abortion is murder.  The Genocide Awareness Project (GAP) is a powerful appropriate indirect response to the gravity of abortion.  It’s really not debate, but a presentation of facts through imagery.  GAP is a statement of the obvious to people who are distracted.  Any contribution to debate we make has more to do with interpreting the images for people who are confused.

GAP creates problems for abortion-choice supporters. In the face of evidence of the gruesome violence, “pro-choice” rhetorical engagement is a losing proposition.  GAP compels either acquiescence, active resistance, or a dilution of our effort.  Since the activists don’t intend to quit, they must issue propaganda and organize protests.  They spread propaganda through social media and campus publications.

We see resistance in most schools, but I’d like to focus for now on the campus of the University of North Carolina (UNC), Chapel Hill, and at North Carolina State University (NCSU) in Raleigh.

At Chapel Hill, abortion supporting students lined up in front of the GAP display with signs and helium balloons.  A couple of masked male students tapped on snare drums for endless hours.  A Planned Parenthood representative stood on a wall overlooking the scene and shouted meaningless patter about condoms and filing complaints with the Dean of Students.  At NC State, the abortion “counter protest” took a further step by attempting to block the view of the GAP display and form a complete wall of bodies and signs.

The portrayal of the victims of abortion through GAP helps distracted and misdirected people attend to the real issue of abortion.  And if GAP is so effective that abortion supporters must turn out in force to distract people from seeing the images, then shouldn’t we do GAP even more often?

 

Mick Hunt (Meredith Eugene Hunt) is a FAB contributor.  He has helped organize more than 50 Genocide Awareness Projects (GAPs) all over the southeast and elsewhere.

The Essence of “Pro-Choice” Rhetoric: Misdirection (Part 1)

Abortion Escorts at "Femcare" in Asheville

Abortion Escorts at “Femcare” in Asheville

by Mick Hunt

Illusionists and stage magicians know the secret of misdirection.  They’ll focus your attention on something relatively unimportant while the important action is happening right in front of you.

Master pickpocket and entertainer Apollo Robbins says misdirection happens in your brain as well.  He told the audience in a popular TED Talk that our minds are incapable of focusing on multiple aspects simultaneously.  We often experience “blindness” to things we see every day.  New information cannot be processed while trying to recover old information.

So, for example, when Apollo asks George what’s in his pocket, George’s mind turns inward to remember.  In the meantime, for a few moments, George did not notice what’s going on around him, that Apollo stole his watch.

Misdirection, both physical and rhetorical, is a critical tool in supporting the abortion of pre-natal children.

In my recent blog “Echo Tourism,” I mentioned an article titled “The Last Shift” written by a volunteer abortion escort and self-proclaimed “Asheville’s Village Witch.”  For 10 years she greeted women seeking abortion at their cars in the clinic parking lot and walked them to the entrance.  This is when we sidewalk counselors speak to the women, offering help and urging them to let their children live.

She wrote:

…I always started a running patter, something like this—I’ll be talking about all sorts of things so focus on my voice.  It’ll be like a late night monologue, only I’m not very funny.  I’ll talk about your shoes—gosh, those are cute!  Or how far you had to drive—did you have far to come this morning?  BlackMountain?  Oh that’s not so bad.  How was the traffic?  Gosh, this is (fill in the blank) weather, isn’t it?  Does that RAV get good gas mileage?

A running patter.  In the online manuscript of Sleights of Mind, What the Neuroscience of Magic Reveals about Everyday Deceptions, Stephen Macknik & Susana Martinez-Conde (2010) wrote:

Patter, it turns out, is one of the most important tools in the magician’s toolkit for attention management.  There are only a dozen or two (depending on who you ask) main categories of tricks in the magician’s repertoire …  Sleight of hand is of course critical, but so is patter, the smooth and confident stream of verbiage that can be used to hold, direct or divide attention.  Apollo tells George [his victim on stage] one thing while doing two other things with his hands.

The Asheville abortion place’s website admits as much when it says,

…we have volunteer escorts who may approach your car to walk you to our front door and help distract you from the demonstrators out on the sidewalk.

In this situation, the patter is meaningless babble.  Some escorts may be more adept at sincere conversation, but nothing they say pretends to engage the subject of abortion.  And yet, even when abortion-choice advocates seem to engage the issue, it’s almost entirely misdirection and distraction.

I’ll explain in my next post, showing how this relates to the work of CBR.

 

Mick Hunt (Meredith Eugene Hunt) is a FAB contributor.  He has helped organize more than 50 Genocide Awareness Projects (GAPs) all over the southeast and elsewhere.